DAVIDGOUGHART

Tuesday, December 18, 2018

Mood Board




 'And did the countenance divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among those dark Satanic mills?"


Jerusalem-William Blake


That's quite a mosaic of madness there, comprising a tapestry of transcendent terror, from the deathly pall of a blossoming mushroom cloud through Rubens beefy original sin, by way of Jattault's lord of the flies, to the gnarled toes of Grunewald's Corpus Christi and the feeding trough in Jonestown. It's all there, a visual totem that could redouble as a mood board for the nations psyche, but actually depicts all my artistic preoccupations for a year that has been creatively fulfilling and parochially foreboding.  

Welcome relief then, as I prepare myself to return to Old Blighty for the holidays.

Of the many gifts my life has been blessed with this year, the greatest of them all will be meeting my beautiful grandson -Atticus for the first time. Because any legacy I could hope to leave, shrinks in the great shadow of that one. 

As it should.

Which just leaves me with the wish that your Solstice be filled to the brim with love and libation, and the hope that along with prosperity and health, the coming year brings lucidity and accord. 






Sunday, December 2, 2018

Enjoy the silence.


 “One cannot long remain so absorbed in contemplation of emptiness without being increasingly attracted to it. In vain one bestows on it the name of infinity; this does not change its nature. When one feels such pleasure in non-existence, one’s inclination can be completely satisfied only by completely ceasing to exist.”
Émile Durkheim,
Suicide: A Study in Sociology

It looks like I'm staring off into the abyss, pondering the muddy expanse of the soiled nothing, but it's actually that first contemplative pause before something happens, in a space fertile with possibility. It allows the chance as the song by Depeche Mode said, to enjoy the silence.

As the year comes to a close, it's no accident that the piece I'm planning is about the heralding of a new dawn.

In the other spaces in between, I've been reading Chris Hedges new book-"America the farewell tour." Distressing raw meat for a series that is peppered with ill omens hurtling us towards the end times. Take me at my sarcastic best, when I say that if his previous tome-"American Fascism" is a side splitter, this one will put you on the floor. 
At any rate, the irony isn't lost, given that it arrived during a four day power outage, while a place called Paradise burned itself out of existence. Lest we forget the horticulture tips in response,procured from the odious shitgibbon in chief.

The whole thing left a somber cloud that hasn't loomed as bleakly since Cormac McCarthys the Road.

In the face of what Hedges propounds as Durkeim's anomie in real time, it's hard to see a way forward, to not sense that all of our tomorrows shall be a continued assault of cyclical traumas, imposed by the will of a small dogmatic proportion of the populous, intent on nihilism, subjugation and extinction.  If my previous series-Purgatorium-was partially informed by Artaud's essay -"Van Gogh, the man suicided by society", then this one ascribes to a society, in essence suiciding itself.

Whatever hope then, can only come with the vast expanse of ideas, from the reflective silences pregnant with possibility. 

Otherwise, the only sound left to hear will be humanities final death rattle.


Wednesday, October 31, 2018

Toil and trouble fire burn and cauldron bubble




All Hallows upon us again, witches night. There may not be pyres of crowing hags, just the flickering candle light through the drooping hollow of carved pumpkins, but it pales against the incandescent burning of the midnight oil ahead of me, as I settle back into duties for Paradiso’s Fall, just five short months away.

I’m feeling like I’ll need eye of newt to accomplish everything I want to.

This is me working on a piece which looks like it could be ready and basted in time for Thanksgiving, but continues a  thread that I started on the Manson series regarding cults and the dangerous hive mind of group think. Salem, Jonestown, Heavens Gate, The Children of God, MAGAt’s.

Whatever  scary movie double bill you stream tonight, remember there is nothing so bone chilling as the horror of current world events.

Happy Samhain everyone.

Monday, October 29, 2018

Phenomena movie award


This is a project I started last year, but actually has its origins in a piece from over a decade ago. Gods and Monsters from 2005, was I believe my first artistic fumbling’s into arcane territory. 


‘Gods and Monsters”-(2005) acrylic on canvas, 16″ x 20″


I think I sold it for buttons on Ebay, such were the times back then, but it was adopted a couple of years later for the cover of Peter J Carrol’s excellent, The Apophenion: A Chaos Magick Paradigm, from which I didn’t make a bean from, such were the….well, you know the rest.
But I guess you can’t keep a good painting down, because it’s been resurrected, readopted and repurposed as the official “Uncanny” trophy award for the Phenomena horror cine festival in São Paulo. The award will go to winning participants-80 nominees of the likes which include Blumhouse’s Mandy, and a documentary produced by Benicio Del Toro The Rise and Fall of Buffalo Brown by Philip Rodriguez.

I am beyond honored.

Design for award front

As I write, the festival is already under way, but it runs until the 4th of November in two cities, Paraty (Rio de Janeiro State) and São Paulo (State Capital), and the screenings will be free of charge in all five different venues, so perfect celebration for All Hallows then.
https://www.phenomenafest.com
I want to thank Cauê Castelo, Phenomena & La Matta tv for working with me to capture my vision in glittering three dimensional silver.

Official Phenomena poster, featuring my characters in Moebius style, by Diego Porto

Wednesday, October 24, 2018

The Divine and the Divined




18″x 18″
Oil on panel


My own contribution from the recent Tales from the Darkside show at LaBodega.

Rather drolly-or should I say troll-y, I got some push back on this when I posted it on social media from the usual self righteous quarters. How oddly ironic, that the dogmatic ever entreat that they be accepted in every faction of existence, yet never seem willing to extend the same courtesy themselves. 

Happy Holidays from Starbucks anyone?

Regardless, they are a ways off the mark in their usual bobble headed outrage for this one.
It was originally planned for the series I’m working on “Paradiso’s Fall”, which has become something of a vignette of ill omens, pointing towards what I perceive as man kinds inevitable demise. I’m hearing the term “personal apocalypse” coined a lot since I first used it some months back, but I believe it’s a predisposition inherent within us all.

This piece, portraying the mother-the holy vessel or paragon of virtue, literally transformed to the symbol of that final nail, is just merely another emblem of a paternally manifested future, inherently pushed to its own end. If you’d have said “Enola Gay” and “Little Man”you’d have been on the money.

Anyone who further missed the point, clearly didn’t see the whacking great atomic symbol, smack bang at the center of the piece. But then, I daresay nuclear proliferation in the hands of a madman who loves to push buttons, barely warrants a  semblance of grey matter either.
The worm coiling from the cuff, is just a further token of dehumanization, as we slither back toward the primal dirt from whence we came.

So perhaps its biblical after all.

Monday, October 22, 2018

Seeing the light




Tales from the Darkside at Labodega. October 13 2018.

Some said that the grim pall of clouds that had gathered over San Diego, seemed apropos to the theme of the show. But if the summoning of stormy skies was as an ill omen to dissuade hordes of eager visitors, it hadn’t worked on that particular night.

And if there was a breeze detected, it was likely a result of my audible sighs of relief. Why…? Because my first co curated showcase, featuring over fifty contemporary dark artists – Tales from the Darkside at  LaBodega gallery was finally here.

It’s long been a given, that any visible art scene on the west coast, pales by degrees south of the I5. Having lived in San Diego for over a decade, I’ve certainly found that to be the case. But this night was different, it felt like the chance to dissolve the barriers, level playing fields and overcome the inequality that exists in a gallery system so riven with wrong headed prejudice towards the genre, but also one where an exclusion zone exists for anyone who isn’t a darling of the LA art scene. On October 13, established painters shared walls alongside bright, fledgling artists, alongside artists who are veterans and never really ever get a fair crack at the whip. All a collective,all and unstoppable force toward a common cause-dark art, because in times such as these, culture can be both a black mirror and a catharsis.
And if I’m want to wax lyrical and pile on superlatives, it’s because I’m still heady from the experience, as utterly draining and exhausting as it was, because make no mistake, being on the other side of the easel for a change is all encompassing. Small change when one considers the stellar retinue of artists and the work they produced.

My Indebted gratitude then to them all, to the folks and friends who attended the event, and most of all to my brother and sister, Chris Zertuche and Soni Lopez Chavez, for giving me the opportunity to host an event at such a remarkable gallery.

For purchase details, please contact Chris at labodegagallerysd@gmail.com

You can see a preview and photos from the show from the following links:

Tales from the Darkside preview

LaBodega official photos

Poster Art by Martin Woodhead-“Harbinger”

Sandy Yagi
“Hatching Death #1”
Oil on panel | 12×16″


Paul Nebarra
“The Forsaken”
Oil on canvas| 9″ x 11″

Jeff Christensen-
“Away, the ghost”
Oil on panel |11″ x 14″

Brooke Weston
“Vermillion Temple”
Taxidermy Deer/mixed media


Nannette Cherry
“Anamnesis (After Jozeph Simmler)”
oil on board | 12” x 12”

Monday, September 10, 2018

Tales from the Darkside




Co-Curated by David Van Gough


So how cool is this? Tales from the Darkside-(not to be confused with the old TV series) a single showcase, bringing together-or bridging together to be more precise-the dark art community from all over the world.

Over fifty artists from as far afield as Austria to Alabama.

And what a roster of top talent we have lined up. Having been fortunate to have seen some of the previews for the show, I am overwhelmed by the grand guignol of creative artistry that’s going to be on exhibit.

But don’t just take my word for it, look at that list of names below.
Blurbage details are as follows:

La Bodega Gallery presents
TALES FROM THE DARKSIDE
A Group Exhibition Co-Curated by David Van Gough


From Hieronymus Bosch to Zdzislaw Beksinski, artists throughout history, have explored the darker side of the imagination. Drawing from the monstrous excesses of the periods they created in, or speaking to the inner turmoils of the psyche, darkness in art has been a potent, visual language, which expresses the deeper recesses of the soul.

In the month that is the festival of Samhain, Tales from the Darkside will be a showcase that is both a manifestation of the shadow side of art, and a representation of the best contemporary dark artists working today.

Saturday October 13th, 2018
6:00pm to 10:00pm / Free Admission

Participating Artists :

Alissa Renzetti
Ally Burke
Amber Michelle Russell
Amy Rodriguez
Andreas Nagel
Anthony Champ
Bill Remington
Bri Valdivia
Brooke Weston
Brynn Elizabeth
Carrie Anne Hudson
Celene Petrulak
Clint Carney
Clinton Neuhaus
Cory Benhatzel
Dan Harding
David Russell Talbot
David Van Gough
Donnie Green
Dos Diablos
Edgar Marquez
Edward Frausto
Enys Guerrero
Evgeniya Golik
Gregory P. Rodriguez
Ivonne Carley
Jay Ferguson
Jeff Christensen
Jen Lightfoot
Jeremy Cross
Jessica Perner
Jim Pavelec
Jorge Gutierrez
Karikatura
Katherine Lomax
Lana Gentry
Lee Harvey Roswell
Mark Jesinoski
Martin Woodhead
Matan Chaffee
Megan Buccere
Nannette Cherry
Nonie Cruzado
Paul Neberra
Paul Vargas
RF Pangborn
Rick Dienzo Blanco
Ron Lemen
Sandy Yagi
Scott Holloway
Shane Izykowski
Stefania
Stephanie Vega
Sunol Golden
Tatomir Pitariu
Tehani Farr
Theodore Limn
Tom Haubrick
Vanessa Lemen
Vince Packard
Vincent Castiglia
La Bodega Gallery
2196 Logan Avenue
San Diego, CA 92113

www.labodegagallery.com
www.davidgoughart.com

Sunday, August 26, 2018

Pastures new




Here I am in my new studio digs, feeling like the cat got the catnip, because it’s indoors, higher ceilings, central air, located in the same building I eat and sleep in.

 Yes, part of me will miss the romance of the open air that was my trek to the little converted garage on the mountain, the occasional harvest mouse that would scutter along the rafters, even the sticky black widow spiders web that would dangle from the corners of old canvases. I could even handle the ball chilling winters. 
I shalln’t miss the longest hottest summer in living memory though, which along with the dust and smoke had rendered Planet Mercury as uninhabitable as-well, it’s namesake. 

Looking down are some of the pieces from the new series, Paradiso’s Fall, which I just happen to be at the halfway point of, so it’ll be interesting to see if the remainder will be influenced by the new workspace.

 It’ll certainly be less like camping.

Saturday, August 11, 2018

Flogging a Dead Horse




Wrath
Oil on Canvas
36″ x 48″


The air has been thick with acrid smoke from the ongoing fires in Holy Jim Canyon these last few days.  Which seems entirely apt given the apocalytic pedigree for this one. 

 'Wrath', as it was titled has had quite a ride. Begun as an impromptu live painting session for an end of the world world themed party in 2012, it was mothballed until last year, when it was resurrected for these dark ages and possible end times , and slated at the time to be included in two exhibits, but neglected from the gallery's roster when it came to actual showtime for some reason.

At any rate, third time being a charm, the red horseman of the apocalypse will definitely be on show and perfectly at home at my favorite dark and rich oasis by the seaside-the Dark Art Emporium for its second year anniversary exhibit, which open's this evening from 7pm to 11pm.

More news to follow in the coming days, but in the meantime check out the online preview of the show-that is if you can't join us to celebrate.
Anniversary Show Preview

Sunday, June 24, 2018

Tales from the dead zone



It’s been several months since I last wrote, I know, but if posts have been thin on the ground of late, it’s because I’ve been pouring myself into the work at hand.

That, plus its all too easy to feel like you are just adding to the noise right now, magnifying the human footprint marked ‘the landfill of opinion’. Better to stay in the dead zone.

Still, it’s alarmingly distressing out there-kiddies in cages. Concentration camps. An entire demographic of the populous falling over themselves with lick spittle piety to justify it. One wonders where the balance will tip, and how far over the edge.

The work by contrast has flourished, but is no less inspired by current events. It would be hard not to. What began contextually as possibly my farewell letter to the American empire, has become a surreal catalogue of the ill omens that have informed it.

This piece-as yet untitled-swirls with apocalyptic nods and winks. Personal and otherwise. Broadly, there are the American Killing fields of Vietnam. The little napalm girl-Kim Phuc in that eerie messianic pose. Hiroshima and Nagasaki respectively.

Quite a lot of unsavory raw meat to swallow, and not the kind of sandwich one feels compelled to share.

"Bosch Brain Freeze" - Oil on canvas-11" x 14"
It’s not all been dark introspection, took a breather and knocked out a fun little Bosch homage for La Bodega’s recent Spirit Animal show.

Because the old Flemish master is always a good party trick to conjure at the end times.

Anyway, more announcements to follow soon, all being well.

Saturday, May 12, 2018

SD Voyager Interview



“I guess my journey as an artist began with this overarching spiritual quest and being raised as I was, I’d found that the pulpit wasn’t doing it for me.”


In which I talk about my Liverpool origins, dark art and death and the San Diego art scene.

SD VOYAGER INTERVIEW

Having recently celebrated my thirteenth year since expatriating to the US, I’m delighted and heartened to have been chosen to be interviewed, given that this is only the third artists profile piece from my adopted hometown, in which I've exhibited at least a hundred times.

Hopefully, this is just the beginning of an alternative forum that is contrary to the dodgy editorial whims of a certain sinister press in the city-one that highlights artists and not just the closing of another gallery.

Saturday, March 17, 2018

Mother Deer.


You can’t really tell yet, but that’s Elen I’m painting, the lost pagan horned goddess of British folklore.
She’s Mama deer, spiritual consort, Shamanic pathfinder of ley lines and a divine fertility being.
That’s quite a bad ass resume, except to say that like most Pagan figures, it wasn’t enough for her Christian brethren, who gave her a historical make over and renamed her St Helena.
Still, her new turn as a latter day Lara Croft, seeker of relics such as the Holy Sepulcher and Christs Cross is fascinating on its own merit. Even if it meant desecrating the Temple of Venus in 333AD (Jesus in Hebrew for anyone who wondered) and relinquishing her female empowerment card, by re-erecting what John Allegro in his book ‘The Sacred Mushroom and the Cross’ called a ‘Phallic Symbol of ecstatic fertility and Resurrection’.
Its as close to Eve as I’ll get in my series about fallen Eden I suppose.
Having seen both ‘Annihilation’ and ‘Mother’ recently, it struck me that perhaps I’m plundering similar furrow as far as the cultural zeitgeist is concerned. Mankind being the great corrupter and pathogen in the garden and all that. Mother nature made barren by eschatology.  Although I didn’t really like either movie to be honest, and I suspect ‘Mother’ to be more of that directors bitter sentiments on being an ‘artiste’ in Hollywood.
Go tell it to Kubrick, Darren.
If my series, Purgatorium, ended with a piece featuring John Locke pointing the way  like a wise old owl, then Paradiso’s Fall is imbued with the myth of America as his Tabula Rasa.
One of the phrases from Miltons Paradise lost that jumped out at me as a foundation for the series was ‘The mind in it’s own place..can make a Heaven of Hell, a Hell of Heaven.”
So much of our personal Eden’s will always be tainted by expectation.
It’s something to bare in mind as I’m bearing fruit.

Tuesday, March 13, 2018

Death Rattle



“We are all bound thither; we are hastening to the same common goal. Black death calls all things under the sway of its laws.”
Ovid
“The gormless and the baying crowd right there.
They can’t get enough of that doomsday song,
They can’t get enough of it all”
David Bowie-The Next Day
Another skull.
One more deaths head dug up from the boneyard- commissioned on this occasion-but no less symbolically apropos for the dark times we live in.
When has that not been the case I ask myself?
Its not just my default anymore.
Death is prevalent. Everywhere it seems-because I believe the 242 year old experiment called America is dying.
Or has a suicidal streak running through it at the very least.
It could be these Divided States of Angst. You’ve felt it-that permanent unease we find ourselves in now.
Where acidic cauldrons froth over daily, and drown everything with toxic rancor and insanity.
Where another deadly school massacre, draws pious platitudes from crowing gun fetishists in tinfoil hats.
Where a swamp is substituted for a malfeasant cesspool of corruption, calamity and chaos.
Where every right eye is turned blind to the trashing of democratic norms in favor of trash talk.
Where Nazi’s and Russian despots are ‘fine people’ and the FBI is ‘treasonous’.
Where celebrities and sports figures ought to remain silent, when there is a game show host in power.
Where Evangelicals lament the downfall of Christian family values over a coffee cup, but endorse candidates who are adulterers with an appetite for porn stars and children.
Where an Intel dossier detailing a Presidents penchant for pissing prostitutes is ‘fake news’ but a pizza parlor harbors a Satanic, ritualized, child- sex /murder, cult…
To Mars.
And it’s not just the rank hypocrisy–it’s that there is a faction that seems fervently intent on hurtling us towards some cataclysm. Certainly, The Evangelical Taliban positively creamed its chaste gusset when the bloviator in chief, sought to recognize Jerusalem as Israels capitol. No doubt fulfilling the apocalyptic wank fantasy of every Christian jihadist, hungry for judgement day.
Because making America great means no greater cause than eliciting ‘Liberal tears’, even if the outcome is we are all annihilated in a tweeted, nuclear, maelstrom.
Sitting at the celebrating Bowie concert last week, singing along to songs performed by competent stand ins and his still sizzling former band, it hit me that part of the challenge now feels like the very best of us-the generational voices that would propel us forward, the thinkers of the enlightenment and champions of cultural change, have been replaced by the very worst of us.  Hitch, staring down the barrel of a cancer that would consume him said that he not only feared that he would have to leave the party, but that the party would go on without him.
Except the party ended when the life and soul was gone. Death took him along with all the other vanguard, free thinkers of his generation, and left us with the odious. The avaricious. The volatile. The dogmatists. The bullshitters, brainless barbarians and fools.
With almost uncanny timing, I write this as it’s announced Stephen Hawking has passed.
Intelligence, along with bastions of education and science are now vilified as ‘elitist’, substituted with a brain numbing diet of  TMZ, X-Factor, Fox News and Jerry Springer to occupy the vacuous mind of the plebeian. Little wonder then, there sits a President, perfectly suited for the National Enquirer generation.
Perhaps when they switched on the Hadron Collider it caused a fissure in the space time continuum, and we hit an alternative timeline,  a timeline where every virtue was turned on its head.  Indeed, the year that elected America’s greatest aberration and folly, brought with it a mass exodus of figure heads from every station.
Some might even say 2016 was akin to a rapture.
I really hope that notion leaves some Evangelicals as alarmed as the rest of us are feeling right now.
Except, I remind myself that in that same week as I watched Bowie’s guitarist, Gerry Leonard, lean over his guitar like a little blue rinsed granny, while a crowd of aging fans stormed the stage,  Guillermo Del Toro took an Oscar for his monster movie- ‘The Shape of Water’. As did the horror movie ‘Get Out’ highlighting racism, and finally Bowie’s great friend-Gary Oldman,  for his turn as Churchill in a movie fittingly titled for these times ‘The Darkest Hour’.
it’s a welcome rejoinder that as artists of darker themes, the torch falls to us.
Because as barren as it feels right now, we are on fertile ground.

Tuesday, February 20, 2018

Dali


Oil on canvas
9″ x 12″
Between prepping the canvas and sketching for the next piece, I knocked out another Alla Prima portrait in a couple of hours today.
Dali -in my opinion the greatest artist of the 20th century-has become so ubiquitous that the impact his surreal art had on me when I first encountered ‘The Death of Narcissus’ in a copy of Man, Myth and Magic in the 1970’s, seems almost neutered by its legacy into mono culture.
That mustache like an upturned curly bracket so synonymous, that the portrait didn’t resemble him, until the follicular finishing touch.
Still, the work remains utterly phenomenal and back then I was utterly obsessed, so I shan’t understate the influence he had on my own artistic quest.
In fact, I still read his wonderfully salacious ‘Unspeakable Confessions’ yearly, because the enigma of his work was made all the more profound by the fact that he was as mad as cheese.

Sunday, February 18, 2018

Rasputin


Oil on canvas,
9″x 12″
With Russia in the news again, I thought it’d be quite nice to trot out one of the Slavs other infamous sons- the Mad Monk, Grigori Rasputin-Alla Prima.
He’s another of those fascinating esoteric cult figures, from the time of the Romnovs, ministering all manner of occult practices from Theosophy to being faith healer to Tsar Nicholas’s son, Alexei.
A nice gig if you can get it, particularly if  the laying on of hands extends to the local nunnery.
Ongoing rumors of an affair and his influence over the Tsarina Alexandra, that such were the times then, it wasn’t too long before he was knocked off, although given that it took an afternoon buffet of arsenic laced cakes and wine, three bullets-one in the forehead- and dropping in the frigid Nevka waters to do the trick, may lend to the reputation of his mystical prowess, and the rumor that he did a zombie Jesus.
Regardless, the fall of the Romanovs wasn’t too far behind.
One hopes a similar fate awaits the current US dynasty.



Sunday, February 11, 2018

Splendor Solis


A reproduction of my piece “Space enough have I, to lie in such a prison” was recently included at ‘The Studio and Gallery’ exhibit ‘Splendor Solis, which is based on an alchemist grimoire of the same name from 1532.
My piece was a kind of riff on one of its plates, having first saw it in the magazine Man, Myth and Magic back in the 70’s-the golum figure stepping from the mud into the welcoming arms of the princess. The princess of course in my version, being my wife Lani as the Miranda figure to my Ferdinand.

Including among others, are the exquisite works of Laurie Lipton, and I’m honored to be included, as it looks like a tremendous exhibit. Its also notable because its my first showing in beautiful Scotland, and I’m hoping it promises to be my first of more exhibits in the UK.
You can see full details of the show from the following website:
Show runs until the 24th February.