DAVIDGOUGHART

Tuesday, October 4, 2011

Our Father-excerpt from Dead/Ends


Further to it's recent release, here is another exclusive excerpt from my book-of Dead/Ends:

My dad Joseph, was a demolition man. Liverpool was a dereliction of extinct tenements, waiting to be razed to a landfill.

Caked in the muck of a days toil, he would often return with some relic—a yellow paged book or a faded tin toy.
The empty buildings were embellished with a forgotten era -cornices or metal fireplaces, wooden doors or roof slates could be stripped and sold for extra subsidy.

That’s the way it was during the searing summer of 77, when my Dad had clamored through a window onto a two- story building to retrieve the slate. Except the slate wasn’t secure, and as it slipped from its battens, my father lost his footing, falling thirty feet to the pavement below.
His body was shattered, his back broken and he spent the next eight months in a hospital healing, forcing himself to walk again, though he never truly recovered.

My Dad was a demolished man.


Years later, he would recount that there had been no slideshow of life flashing before him, only the presence of mind to land on his feet.

People would thank God, and say it was a miracle my Dad survived.
At the time I wondered why any merciful God would set him on a path to fall in the first place.
To my mind, my dads suffering made the almighty fallible, a brat petulantly toying with lives on a whim, all for the sake of being afforded some graciousness for abstaining his hand from an untimely end.

It wasn’t any God I wanted to revere.


Two fathers fell that day.



Dead/Ends is available to order from HERE

Sunday, October 2, 2011

Tentative.

Tentative. That's how I've been feeling for sometime now. It may have began to percolate months ago, but probably manifested when I went to pay my respects to Jen Trute.

In that little studio of hers overlooking Oceanside bay, stacked vestiges of an artists working life condensed into boxes, unpainted canvases and medical equipment.

That it reminded me of John Liddy's post legacy, was all too much like bad de ja vu.

That arc again-that shadow.


It made me wonder what my own ramshackle legacy would be, how the final tally would be disseminated-the books, the materials, the art. When personal effects and debtors are settled, would the most I could hope for be a hidden artifact collecting dust in a thrift store corner?


So, on the day I was interviewing for my return to the bourgeois lot of a regular paycheck, I was also at Jen Trute's former studio, inheriting boxes of oil paint and brushes, stacks of canvas, volumes of art books.
Irony gluts like a bloated slug.


And yet, for all her penultimate generosity, for all my gratitude, I couldn't shake the sense of feeling like some ghastly vulture. It made me tentative, especially when I got home and unloaded the boxes.

Let me tell you that Jen Trute was as meticulous with her materials as she was her work. High quality paints were ordered into color category, whilst thousands of swatches on cards annotated mixed values, and brushes separated into jars by size and material-everything as pristine as the day she had purchased them.

It all felt a little intimidating-I felt a little unworthy of the torch being passed.

Until finally I realized the best way to break the spell, and honor her, would be to paint her-or at least an imagined portrait of her-since we were acquaintances but never met.
And what better way than to do it using the materials she lovingly procured. Here then is a progression of the new piece-"tentatively" called Red Reaper- but done very much in the spirit, honor and paint of the incomparable Jen.

I think she would have liked it.


Friday, September 30, 2011

Upon a Midnight Dreary book review


Written by the delectable Dahlia Jane for her blog of all things macabre-Upon a midnight dreary-the first review of Dead/Ends is in, and its really rather wonderful.

You can read it in full from the following:

Dead Ends Review

Sunday, September 25, 2011

Ocean aside. Momento Mori show at Oceanside Museum of Art


I was forwarded this the other day. It's the flier for the Momento Mori show at the Oceanside Museum of Art.

What a lovely honor.

Speaking of which I dropped the two pieces I'm showing there yesterday.
They looked beautifully dressed in their new frames,as you can see below.












Saturday, September 17, 2011

Momentum Mori

Now that the book is out, and we are two weeks into the release, I can report with a resonant sigh of relief that sales of the first edition have been steady, and nobody has demanded their money back-yet.

Of course, I have to tip my hat to my regulars-you know who you are-from antipodean to anglophile-thanks for keeping the Dead alive.
So far reviews amongst my coterie have been positive, and having done a couple of interviews with local press this week, it seems to be gathering some momentum.

We'll see.


Momento Mori show at OMA is October 15th-both the "Valley" and "Legend" shall be exhibited, and I'll be on hand to sign books which shall also be available.

Meanwhile, work in the studio continues, even if it does feel sporadic for the moment, so between tickling "the wall" piece-today I began a new painting, which you can see taking shape in the studio shot below.


Thursday, September 1, 2011

Dead/Ends-The Beginning of the End-art book by David Gough





DEAD/ENDS ART BOOK



Here it finally is-A project literally three years in the making-Dead/Ends...as it were.




The order page is up and running, and I'm making a special limited edition signed (soft) release available for just 30 days.




There after, the book will be available through Amazon, Indie Store finder etc, with full ISBN.



Those who would still like a signed copy after that date, can come and purchase one in person, as I shall be doing a short tour here in San Diego.

Whilst venues are still to be announced- suffice to say that I can confirm that one of the dates coincides with my Momento Mori showing at the Oceanside Museum of Art on October 15th.



Exciting times ahead.



Below is the full official press release:



Enjoy.



==============================================================================

FOR IMMEDIATE RELEASE
1/8/2011
San Diego
DEAD/ENDS words and pictures by David Gough
In 2005 artist David Gough left his English roots to live and work in America.
Affected by what he saw as extreme fundamentalism in the media, he began a series entitled The Theothanatos Series, which would deal with broad questions of religious dogma and human origin.
However, as the series developed, he began to confront more existential questions of his own mortality, bringing to the forefront memories of personal loss, and an obsession with both the human skull and the number three.
Dead/Ends presents twenty-five works as well as the annotations and recollections that shaped the series.
A special limited signed edition is available for a thirty days online from the following link:
In October, the Book shall be available on Amazon, followed by a short book tour in San Diego. Venues to be announced.
FOREWORD BY DAVID BUCKLEY
Author of Strange Fascination: David Bowie — the Definitive Story, No Mercy: the Authorised and Uncensored Biography of the Stranglers, R.E.M. Fiction: an Alternative Biography, David Buckley,reflects on parallels between the lyrics of David Bowie and Gough's Art, as well as growing up in their mutual home town of Liverpool.
ABOUT THE ARTIST
Raised in Liverpool, England, David Gough has been working as a professional artist for over twenty years.A former commercial illustrator, now living in the U.S, his work has been collected and licensed worldwide, as well as being exhibited and collected both in prominent exhibitions in the U.K, as well as being a regular addition to shows on both the West and East coasts of the U.S. Recently he was honored with the distinction of featured artist of 2010 at the San Diego Art Institute, as well as being featured at gallery’s in LA and Monterrey.
In the coming months, his work shall be included at the Oceanside Museum of Art as part of the 'Momeneto Mori' show
###

Wednesday, July 27, 2011

Jen Trute-1960/2011


Whilst I am sad to admit that I never met Jen Trute in person, I knew her art.

In the past, whenever I've been too swift to dismiss the superfluous excesses of San Diego's art scene, it's always been a welcome reminder to myself that Jen Trute more than eclipsed the chasm of vacuousness and artifice, with the astonishing yardstick of her mastery.


Technically of course, she was flawless,tossing off the kind of flourishes that would leave the best of us slack jawed on the periphery, but her work also had that rare thing of conceptual clarity-never suffering the obliqueness that so often subdues the viewer, and is a perfect get out card for so many surrealist poseurs.


Despite the darker themes, her work was also as disarmingly bright and airy as the long hot summer days that she spent in her Carlsbad studio, where I paid my respects yesterday.


Like I said, I didn't know Jen,but from the meticulous way that she organized her brushes to the hundreds of carefully mixed swatches she compiled, I can tell you that she was the "real deal". So many of us are just charlatans in the incredible, remarkable wake of her work.

We are all richer for her astonishing legacy and she shall be sorely missed.