DAVIDGOUGHART

Saturday, April 21, 2012

A Rose by any other name.


“I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.”

James Joyce

This is Rose Elizabeth Gough, born this past week to my son Thom and his young lady Rachael. Isn't she beautiful? 

Looking at her... thinking of her birth into a world I'd long since resigned as forsaken, makes me realize that some of the hopes, dreams and aspirations I had for the future are contained in her, that any legacy I could have hoped for pales in the remarkable, glorious potential her life brings.

Welcome to the world baby Rose.


Tuesday, April 17, 2012

Joseph Conrad-heart of darkness-painted portrait by David Gough



"Any work that aspires, however humbly, to the condition of art should carry its justification in every line."

Joseph Conrad

After reading about a recent one off production
of Heart of Darkness, based on the lost screenplay by Orson Wells, I took a short break from my own dark imaginings to paint this in a few hours today-a portrait of Joseph Conrad.Of course, my generation were introduced to his book through Coppola's version-'Apocalypse Now',making his literature culturally incongruous (perfectly exemplified in Gary Oldmans gritty Nil by Mouth.) in that it encouraged legions of kids to pick up a book that wasn't already on the school curriculum, for the first time.

Anyway, with sketches for the new series still holding me hostage, it was rather nice to paint something that didn't require a great deal of effort or thought.

Wednesday, April 11, 2012

My (grand)child could paint that.


Upon seeing his young son Paulo's scrawls, the aged Picasso remarked that he had spent a lifetime trying to paint that way.

It's a favorite anecdote of mine, and if it's seemed that I am oft completely adverse to abstraction, then I've done a disservice to my love of de Kooning,
Auerbach or Guston.

And if I've remarked that abstraction comes from a point of cynical ineptitude, then I am definitely doing a disservice to the third generation of Gough's-as my grandson so effectively proves here, with his total, unselfconscious, immersion into this massively epic painting which he annotated as
"birdies, tcheees (trees), buzz, sky, fog (frog)" .

Sunday, March 25, 2012

Say hello to Sky.


As a general rule, the only thing to be gained from Birthdays is another year. This year however was different, this year I gained Sky.
My new little black dogs namesake really shall be like giving it back to me, no more shall I spend my whole day in studio shadow, It'll be like taking the night outside into the daylight.

Welcome little Sky.

Thursday, March 22, 2012

Simpler times-new Frankenstein portrait by David Gough

11" x 14"
Oil on canvas

As an iconic image used to the point of obsolescence by everyone from Warhol to Ron English, I realise that it's not bringing anything new to the table.
Except the image had a profound effect on me the first time I saw it as a child in 1974. Those hooded eyelids, looked the same as the Jesus monographs I'd been force fed at church and school, but here was man as god making a monster of his own image. Not that I could have articulated that, it was just hugely exciting to my young imagination and I must have scrawled it on exercise books and blotters a hundred times.

So why repaint it now? Because with just a few days short of my forty fifth Birthday, and five years from my half century, I find myself inevitably thinking back to simpler times.

Saturday, March 17, 2012

Broken Arted and left on the shelf. An artists cautionary tale of integrity


The older I get, the more convinced I become that the greatest mistake one can make as an artist is the belief that integrity will count for something.

Dennis used to tell me a cautionary tale of someone local who had been an artist-'the real fockin' deal'-here in San Diego, who became so disenchanted and 'broken arted' with his artistic travails, that he just woke up one day and called it quits. Of course he got his own back later by becoming an art critic, but he never picked up a brush again right up until the day he died.

Perhaps that's all an art scene is - a periphery of disappointed cynics.

Being a glass is half empty, unless the other half is topped with spirits kind of artist, I realize it's all relative since I teeter on the cliff of jacking it all in and calling it quits weekly. It's been that way for as long as I remember-swings and roundabouts, artistic highs and post daubing lows are like a balancing act of mercurial equation. Plus my Mother said I'm a miserable bugger.

Except I've been feeling broken arted for a while now. Broken arted as in one too many unrealized dreams, one too many bullshit promises and checks never arriving, one too many lesser artists grabbing the wall space and headline's, one too many canvases unsold....you get the picture, or rather you don't unless it's for a fraction of the asking price.

If it all sounds pretty navel gazing and self pitying,then I suppose it is,so then... why do artist's like myself continue, why paint another stroke and keep climbing walls year in year out?

You know, I couldn't tell you the whys, it's just what I was born to do.

I don't paint splatter or big cats or bigger eyed girls-I wish I could find a pavilion of myself that could, I'd happily spend my days giving the Ryden's or Chueh's a run for their money, but I can't nor do I want to,call it what you like...integrity,stubbornness or plain stupidity. It means I'll never be a darling of the hip inkies, It means I'll likely never see recognition or a healthy stipend in my lifetime and so I guess there's not a lot of whinging to be going on until I do paint spatter, big cats or bigger eyed girls.
Like a martyrs folly, I'll endure until the fucking Van Gogh curse fulfills its promise, that or I warm myself by a pyre of my own making and become an art critic.

Perhaps this is as good as an artist can hope for, perhaps it's just the realization of the work itself that matters, nothing more. If Art is the provenance of a luxury,then food for the artistic soul is the struggle,even if it doesn't bring food to the artists table.


Above: Los Angeles Mausoleum. 3/17/2 6:37 PM

Thursday, March 15, 2012

Rise-New painted portrait of Sharon Tate by David Van Gough

'Rise'
Oil on canvas
30" x 40"
'Rise' was one of the inscriptions left in blood on the wall of the La Bianca residence.
According to Linda Kasabian, Manson had instructed her and the other girls to leave a sign....'something witchy'.

Mired then, in the never-ending miasma of Satanic verse, cabalistic rite and sinister forces, the ritual murders of nine people with Sharon Tate caste as Madonna and child, become's part of the tapestry of American folklore.The truth melting away with dimming embers of a candle, that death in its most senseless form, can only be comprehended when it is engulfed in subterfuge of conspiracy. Or something like that.