DAVIDGOUGHART

Showing posts with label La Bodega. Show all posts
Showing posts with label La Bodega. Show all posts

Tuesday, December 31, 2019

Art Decade 2009-2019


“I wish I could spend my days, lost in the pursuit of paint, all in the name of a greater journey-THAT greater journey.”
Me-November 18th 2009
(Top) “Legend” (2009)-oil on canvas | 30″ x 40″

A decade closing then. Time to take personal stock. Tally the gains against the losses. Measure the clock, along with the lines on your face, and the marks on the canvas.

I’ve been doing my own introspection of the whole retrospection lately, diving through decades old blog posts, and for all the highs, lows, occasional navel gazing, pretentious waffle and daubed missteps, the one constant ally has been the work. The eradicable drive to continue on the painted quest against sometimes insurmountable odds. At times it’s felt hopeless, like total folly, at others a sanctuary of illumination, but always a restless, fathomless pursuit for meaning in this mad, bad thing called life.

I imagine all this means that for myself, the muse and the rest of you still willing to enjoy what I do, we are stuck with one another until we all fall down, or are blown to smithereens.
Nevertheless, my gratitude is as boundless as the event horizon, for those who’ve stuck with and supported me this far.

Here then, is a piece from each year-souvenirs that mark my greater journey.

Theothanatos | Ghosts | Man/son | Purgatorium | La Bodega | Paradiso’s Fall

Legacy-an Artists General Truth-(2011)–Oil on Canvas | 48″x24″
“Osmosis” (2011)-oil on canvas | 36″ x 24″
“Rise” (2012)-oil on canvas | 30″ x 40″
“What’s Past is Prologue” (2013)-oil on canvas | 36″ x 48″
“This Thing of Darkness, I Acknowledge Mine” (2014)-oil on canvas | 36″ x 48″
“The Devil” (2015)-oil on canvas |36″ x 48″
“Leviathan” (2016)-oil on canvas | 42″ x 80″
“Wrath” (2017)-oil on canvas | 36″ x 48″
“The Voyage of Elen” (2018)-oil on canvas | 36″ x 48″
“Origins of a Black Hole” (2019)-oil on canvas | 36″ x 48″


Saturday, January 20, 2018

Tending the garden


This is me, applying the final flourishes to a piece that may turn out to be called “Infernal Pitts shall never hold celestial spirits in bondage”, which of course is a couplet from Paradise Lost, but may end up being called ‘spirits unbound’ because it’s far easier to remember at my age.
Still working through the preliminaries for the rest, half way there as far as best laid plans go, realizing the scope of this is akin to staring up from the foot of an ancient great oak you’ve grown yourself, before attempting to traverse to the top.
From little acorns as they say.
Did manage to escape partial exile from my exclusion zone last weekend for the La Bodega fourth anniversary. My little 45″ vinyl contribution of a Siren, depicting my friend and extraordinary musician Eliza Rickman, which was made all the more special when the model herself made an appearance.
Thank you Eliza <3 p="">
Incidentally, if you aren’t already acquainted with Eliza’s output, I implore you to go and do so, enchanting,haunting, strange and lilting-all the prerequisites I have for great art- plus her videos are visual feasts of gothic loveliness.
No other shows planned until the big one in 2019, although I’m mooting the possibility that I am pretty much done as far as group shows are concerned.

Emphatically, this has zero to do with La Bodega-who I consider the singular shining light as far as an art scene in San Diego- but I may decide to say something about the gallery that has been the tipping point in consideration of that decision at some future event.

Suffice to say, that for the moment I’m too focused  on tending my own garden as opposed to being dismissed as no more than a thorn in the side of  someone else’s.

Thursday, January 21, 2016

Aztec Ghost Groove


12″ x 12″ | Oil on Vinyl
Painted on 12″ vinyl record, for the recent 2nd Anniversary show at La Bodega gallery last weekend, it was began as a study and a play on the once mighty Mesoamerican empire.  So you have the dragon God (Quetzalcoatl) manifesting from the spilled blood of it’s indigenous populous, crackling through the grooves of the sacred calendar, and haunting time with it’s vibrations.
Given that it’s only been just over a week since Bowie passed, the message of old Gods and phantom sounds, feel’s particularly raw and prescient.